Umbertide, May 2010. The credit was to have recovered myth and poetry, to have transposed these forms to the highest level of truth dialectical philosophy. There was no condemnation of myth and poetry as such, but only trying to rip that content to the forms of vulgar un'oralità camouflage. That kind of orality broke the harmony and unity of personality, because it involved the identification with the character, and thus the identification of assimilation tense emotional ways of being and thinking of others. Those statements poetic forms rifacentesi camouflage of the oral tradition, could not contain itself any real form of knowledge, but only belong to the sphere opinio. Because they come only by the passionate and irrational soul, without the possibility of rational mediation. Why the irrational part is to imitate the imitations, the ontological picture of the material world as it unfolds. The problem was therefore to change the structure of myth and poetry of the well-known oral tradition, whose persuasive force and did not take any account of deductive and brought with him the truth of a rational discourse that can only be traced to the dialectic. Those dialogues, then become philosophical poetry through the transformation of comedy and tragedy in philosophy, and dialectical reinterpretation of theatrical form. E 'philosophy of poetry as an expression of the myth. Some content, some thematic fact, by their very nature, are struggling to be expressed by way of rigorous concepts dialectical dialectical because the pure knowledge is only possible with reference to the world of ideas. In contrast all forms of reality that are related to the evolution of the cosmos and of history, and are therefore time dependent, they are treated using the likely size of the myth. The story in the form of myth is the speech because of that thinks in pictures and images, is therefore thought itself that leads to the truth, the same way of thinking in concepts. It 's so that a philosophy of poetry, constituting myth philosophical works in synergy with the concept, but compared to this, has the advantage of being more communicative and persuasive, for the simple fact that reality diveniente history, which are not, escapes and understanding man. For this reason, the form and content of the mythical representation does not exclude itself from the operation of those principles that bring the world of ideas in connection with the emerging history subordinate to it. It 's just using this particular form of philosophy of myth and poetry, mobility and complexity of life in all its aspects can be understood. Philosophy of a poem thus becomes that aspect of reality that is beyond the single concept, because it is able to express the fullness of life at its most authentic, pure passion, pure obsession, the sheer admiration, pure feeling, unproductive get out of a restless, but the fullness of preserving the essence of a star. Think of the difference in mythical belonging to each other, then the same place where the reception is poetic to say. Greta Mauro. Finoammorire live for you. Why tivogliobbenedammorire. E 'lucediGreta, the truth of being.
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