Umbertide, May 2010. Emerges naked from chaos and dance on the waves. Dance with wild rhythm, very wild, so much power on the desire of the north wind. That wind takes the shape of what it can wrap its coils between the limbs of the goddess. That wind is fertilized and co-generator of life, because is the reciprocal of the elements to enjoy the predominant cause of the sea and earth. But the abandonment of the Earth is not the case for the choice of a calm serenity to the tempting invitation to a flat calm and sparkling water, but is exposed to an overwhelming force of the waves and the homeless sea. It 'broke the irrepressible wave of the depths of a winter storm. It 's the size of the tragic poetic project that reveals the true human being, beyond the primitive categories of psychology and the misunderstanding of the current schemes and common of modernity. The unbridled force of the sea accords with the ongoing eruption of the domain of Earth as the supreme deity. Greta is the Earth, is the one who bestows and tireless door-to-maturity, with the calm superiority of great wealth, the endless hovering harmony of the elements. But the thought objectifying the world, being delivered to the dominance of the Earth, does not recognize the essence. Hides the truth happening to see the law reversed. In doing so it is always thrown on the roads that has opened itself, continually S'Arena and entangled in his ways that it has opened itself. It remains so ensnared more than ever apparent in the circle of his world, thereby denying the way of true knowledge. E 'lost in the chaos of its versatility, vague in its opening in each circle direzione le sue vie, arrischiandosi in tutte le sfere dell'essente. In questo cerca poi di accrescersi e conservarsi, ma con il risultato di rimanere al punto d'inizio, nell'unica via che gli è propria. Quella di non avere altra cognizione che il luogo dove egli stesso pernotta ed erra. Trascina se stesso all'esaustione, oltre il cerchio delle possibilità che le sono proprie, perché riconosce unicamente la progettualità delle regioni oggettive del proprio mondo. Vorrebbe così coinvolgere l'infaticabile Terra nell'agitazione dei propri sforzi, violarne le forze di crescita e deviarne il ciclo generativo. Vorrebbe gettare in essa i suoi lacci e le sue reti, rinchiuderla nei suoi steccati. Vorrebbe imporre ad essa i suoi miserabili giochi per better able to choose to stay. It 's the most common and usual human representation of things. It is also the view of considering the principle of common history and origin thought to be the most primitive and backward with respect to the conception of historiography as effective as sterile by mastering the technical history. But the tragic essence of human wants and the principle of history as what is most disturbing and unusual by virtue of doing violence that breaks the boundaries of the usual and familiar. To exclude those items from the peace and tranquility of their apparent world. In the usual stay within those limits, the man becomes in fact alien to its essence, because deceived by the sheer sense of inessentiality with which the powers of the predominant you grant him. Considers to be himself and to be able to have those forces, not realizing that the violence to speak of a poetic, and a draft of the thought that goes in the direction of the creative, is both a tune and harmonize those powers, by which the being is able to unfold itself. The disturbing nature of doing violence, then it is for man to find himself as a historical being, as one who keeps himself away from the real violence. Genuine and free of the actor and the injured, which is ultimately the common way of representing things. At Similarly, the beginning of the story is also the bearer of a uneasy sense than the usual view of the world. In order to signify its mystical elements of natural science and historiography. And if it must be something, then it is mythology. The rough side of his deployment and tangible is the fact could no longer maintain itself, and therefore, is the trivialization of its deformation to the extension number and quantity of the world, so as to attract the instinct of domination and the ' excess power of the human will more delicate. But the violence of a troubled project reverses the course of being poetic. Why going back to the mystery of the story, makes the occurrence of mythology a historic event that excludes the man from any relationship with the rest of his usual world. It 'an unusual heat and perspiration, is a reaction that comes from the thrill. It 's a burst of pure light of his own Earth. It 's so that the project being poetic outburst leaves the predominant power of the earth and the sea in their mutual agreement. The struggle of the Earth in its original shine within the world. And 'that reveres and preserves the original poster of the Earth in its efflux illuminate the heart of the world. He lives in the intensity of a light. E 'lucediGreta, the truth of being.
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